Friday, April 16, 2010

BANKSY







Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions, and buy records by the billions. We the people, affect the making and quality of most of our culture, but not our art.

- Banksy

Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.
- Banksy

His identity? Unknown.

Location? Unknown.

His art? Well, that's a slightly different story.

Banksy, the renowned British Graffiti Artist, is believed to have been born sometime in the mid-1970s near Bristol. I first came in contact in his work while in Edinburgh during April of '09. I was walking down an alley and found a mural on the side of a wall, depicting a man and women embracing but unable to touch because of large metal helmets, the kind you'd imagine in Jules Verne's 20,000 Leagues Under the Sea. I was blown away. His first film, a documentary entitled Exit Through the Gift Shop, opened this year at the Sundance Film Festival to rave reviews.

Some of his work is more playful, and some pretty moving. The first piece above is actually in Bethlehem on a wall separating Israeli and Palestinian settlements. In 2005 he stenciled into the wall at the Penguin exhibit at the London Zoo We're bored of fish, and managed to place art of his own in the British Museum, London Tate, Metropolitan Museum of Art, MOMA, and the American Museum of Natural History without detection.

BANKSY Wikipedia

There's NO WAY
you're going to get a quote from us to use on your book cover.
- Metropolitan Police Spokesperson
(on the cover of his new book)

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